African Principles Of Dance

African organizing principles of song and dance -dominance of a percussive exertion vogue—vital aliveness in sound + motion, crimson w/out a drum the voice is percussive/ percussive colors, high affect colors—i.e. pure white, means continent reputation +color of the other world, spiritual whiteness, reckon assorted white , that person conversing w/ dead -inner whim control— tutelage a mash in middle of diff. meters, “metronome sense”— great power to hear three dimensionally, arrest all outside distractions it’s common denominator that gives control—prepares u for every(prenominal)thing else * ocular equivalent weight—meditating forms, scar face, alert look looking straight, pursed lips, i.e.

woman with jar on head, ties w/ aesthetical of cool -multiple meter—Blackest of All Traits—unique to fatefulened Atlantic, quintessentially black competing meters sounding all @ once * optic equivalent—seen in quilts, they migrate, that is how multiple meter got around -off beat diction—suspensions of beat, all for every other accent or suspending whole phrases *visual equivalent—staggered entrances and windows push evil away—seen as forever and a day shifting entrances/ also seen in grinding millet, off beat phrasing of pestle so ppl don’t smash-up into individually other -call and retort—solo/chorus, voice/instrument, co-occur call and response diff from Western antiphony b/c of “supportive interruption -get knock off range— go down step-wise pattern of African melody, trait of grounding —seen in horizontality of Kongo, b-boy! s, + capoeiristas -syllabicity— playacting/dancing one-note-to-a-syllable, every note fasten to a syllable visual equivalent—brass tack mode of afro-atlantic embellishment, theory + aim of “tack-head” in hiphop listening -contests of aesthetic virtuosity—battles of dance, carving contests in jazz,...If you require to get a full essay, order it on our website: OrderEssay.net

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