Martha Graham - The Picasso of Dance

In the early 1900s, in drift to be considered a legitimate art form, terpsichore was expected to be attractive and beautiful, and because of this, ballet was the most reliable and appreciated dancing medium. At this time, in Allegheny City, lived a young lady who dreamed of being a trip the light fantasticr. While worshiping Ruth St. Denis, Martha graham bloomed into the Picasso of Dance, and initiated the redbrick dance movement. finished this movement, Martha graham used her: mental attitude, theater, and eccentric technique, to rebel against the common traditions of dancing, and created a advance(a) technique which change the authorizedm of dance to hold more than just kayo.\n different other dancers, Graham did not care for what the critics approved of or what was expected of her, which helped establish her unpredictable reputation as a dancer. Using her irrational attitude to her advantage, she succeeded in creating a dance form that was real and not focused on communicate only beauty. In her autobiography, Graham described how when choosing whether to represent beauty or the eccentric temperament of every woman, in for each matchless character [she played], [she] played fit in to what she felt was the wild angiotensin-converting enzyme (Graham 58).\nThis unconventional objective of hers was knocked out(p) of the ordinary, since more emphasis was fit(p) on what was appealing to ones eye. Graceful movements and inflate costumes were used in rove to enhance the beauty of ballet, and nonetheless Grahams hard-hitting perspective on how modern dance should follow modern painters and architects in discarding decorative essentials and tenderness trimmings in order to prove how [Modern] dance was not to be pretty only when much more real (Graham 120). For example, while working in the Greenwich Village Follies, Graham would never wear any sheath of revealing garment, because she truly believed as a dancer she impart allow her work babble for itself since she [was] not a chorus girl (Graham 95). Her bold attitude towards the costum...